Branding in the global marketplace
"Brands should be viewed as markers in a global system of symbolic differences" (Cayla, 2008, p. 106). Julien Cayla and Eric. J. Arnould assert in their Abstract that scholars in the field of international marketing need to "revise some key premises and foundations" and think more along the lines of the being "culturally relative" and "contextually sensitive" when approaching global branding (Cayla, et al., 2008, p. 86). The Nike and Coca-Cola logos are "brand symbols that trigger myriad responses," Cayla explains, and when it comes to protests against globalization demonstrators use the Nike logo, the McDonald's logo (and Coca-Cola too) as "symbols of corporate excess" (p. 86). Obviously, to a demonstrator from Asia, the Nike logo brings to mind America, the culture of the West, and if that demonstrator has built up a hate for the U.S. interference in Iraq, for instance, any culturally identifiable brand logo is a perfect target for his hate and rage.
The point of opening with this thought is that Cayla suggests the approach of global branding should take into account "the consumer culture theory" (p. 86). Brands all over the world are not evolving in the same way and are not becoming "more like Western brands" but rather they are emerging as culturally identifiable brands (p. 87). The article urges international marketing scholars to "go beyond a purely managerial perspective on international branding issues" and start thinking about global branding as a process of taking into account "sociocultural entities" -- in other words, embracing the cultural dimension of branding. The principals of building a strong grand are not the same across cultures, Cayla asserts. A cultural approach to branding involves recognizing that global branding embraces a "constellation of understandings" such as the relationship between individuals and the society they thrive in.
Marketing scholars have not studied branding thoroughly in a global cultural context, Cayla goes on; scholars have tended to zero in on "managerial problems" and that has hindered their understanding of what branding means on a global level (p. 89). Scholars and marketing gurus have also tended to use nations as "the only frame of analysis in international marketing" but in fact there are "local cultural roots and identity systems" within nations -- again, referring to the consumer culture theory -- that cannot be ignored. There should be interest in developing strategies for the branding of Catalonia and Eukal Herria (Basque country) rather than just branding Spain, for example. The regional cultural differences between the Basque country in the north of Spain and the Costa Del Sol in the south are vast and dramatic.
Cayla's article basically takes to task the writings of "branding consultants" that consistently assert, "…to develop strong brands, firms must follow the models developed by Western companies…Apple, Harley-Davidson, or Coca-Cola" (p. 93). There is some implied arrogance in this approach to global branding, Cayla goes on; marketing practitioners suggest that "Asian brands lack the emotional connection that Western brands have established," and hence because of the "supposed inferiority of Asian brands," these same consultants believe marketing Western branding models to Asian markets is more effective than Asian brands in their own marketplace (p. 94). The bottom line in this piece is that global marketers have approached culture "from the outside" but now is the time to move from the standardization of branding to a view of "branding practices themselves as cultural" (p. 96).
One poignant example of how culture can affect the success of a brand in an international context is the brand "Mecca Cola" -- produced by a French-Tunisian businessman -- that has a slogan, "Shake your conscience" (p. 101). This brand capitalizes on a wave of anti-American attitudes in the Arab world and while taking a bit out of Coca-Cola's market share, "evokes the most powerful symbol in the Muslim cultural landscape, Mecca. Again, Cayla finds an angle to promote the idea that cultural should be a driver for brands as global marketers retreat from the narrow view that only Western branding strategies are workable and successful (p. 101).
Branding in Bangladesh
The importance of branding to a company's image and sales success is not limited to big Madison Avenue companies, or fashion industry icons like Gucci, Estee Lauder, or Chanel. Brand communication is also vitally important in "media poor" places like the rural and semi-urban regions of Bangladesh, according to Moslehuddin Khaled writing in the International Management Review. But the use of a branding strategy in any marketing campaign in Bangladesh...
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